“Thomas Leverton in the title role is superb. He has the necessary Shakespearean chops to deliver all of his lines (By some scholars count, that’s a hefty 1,438 lines!). His full-throated rendering of the monologues pulls you into the mind and heart of the melancholy Prince.”

-Curtain Up review of Hamlet Uncut

“Leverton nails the scene in which Ken ridicules Rothko’s blindness to the moral compromise the Four Seasons job represents.” -The New York Times Review of Red

“Thomas Leverton gives us a Macbeth that is both savage warrior and scared child. Bounding across the stage stopping himself in his own tracks at grim realizations, Leverton never let his character get bogged down or declamatory but infused each passage with his engrossing electricity.” -Drama Queen’s Reviews on Macbeth

“In Orlando Shakes’ “Shakespeare In Love” Thomas Leverton made a strong local debut, showing a flair for physical comedy as Christopher Marlowe” - Chicago Tribune

“Thomas Leverton was nothing short of astonishing.” “The Persians” review by The Dallas Voice

“Leverton, Nolen, and Keller give performances with depth and panache. Leverton is Viola and captures her bravura spirit.” -Orlando Sentinel review of Twelfth Night

“Leverton is very accomplished and this task horse seems effortless. He does not slip into histrionics but is totally natural and realistic. He commands our attention without demanding it. He projects and has a true passion in his craft.” -HI Drama! Review by Bill Bradford on Hamlet

“(Red)boasts a pair of riveting and challenging performances by Johnathan Epstein as Rothko and Thomas Leverton as his young assistant” -Hartford Courant

“From the typical perfect casting of Thomas Leverton as Romeo and Dee Dee Popper as Juliet to the gay version with Leverton and Anthony Michael Martinez taking on both Romeo and Juliet. The Ideal Romeo Leverton is captivating to watch on stage.” -Theater in the Now review of R+J

“Thomas Leverton makes a fine if idiosyncratic MacBeth. If he seems a bit slight in build to be the triumphant warrior in the early scenes, he seems to grow in power and passion as the play progresses as his King suffers a emotional break after Banquo’s death, including a truly harrowing seizure, from which he emerges more cold-blooded and single-minded.” -Outer Stage review of Macbeth

“Thomas Leverton is sweetly effective as Ken, who can finally explode after two years….If you are interested in art, intellectual depth and fine acting you will be rewarded.” -Newtownbee Review on Red

“The performances all feel natural and profound.” Review on “Sawbones” and “The Diamond Eater”

“Leverton is up to the challenge.” The Persians review by Onstage NTX